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»The German social drama by Julia Keller illuminates a world of beautiful appearance. Behind the façade there is a void of meaning, loneliness and disorientation. Atmospheric, well acted, visually powerful. And above all: close to life. Worth seeing!«
BR kinokino
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»Disturbing personality and society study with a great Godehard Giese.«
cinema
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Interview with director Julia Keller
Deutschlandfunk Kultur
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»Julia Keller succeeds in creating such a tension that one follows the development of things in a spellbound manner. The action is treading on the spot – in keeping with the state of the deranged hero – but observes his implosion with psychological precision, whereby Godehard Giese convinces with calm and authenticity.«
Kölner Stadt-Anzeiger
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»Precisely and with a sure instinct. With great lighting, great acoustics and a successful selection of images, director Julia Keller remains true to her truthfulness right up to the end. A mature performance.«
Mittelbayerische Zeitung
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»A convincing debut film, which tells in an intelligent way about the loss of meaning in the modern performance society.«
Programmkino.de
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»Godehard Giese plays this Walter, the nervous heart of this excellent film: how his character erects small talk facades, how after a meeting his confident facial expression drops and he first has to lean on the copier – that is precise, intense acting. There are even scenes in which Walter looks out of the car in silence or curves through the night, gripping.«
Saarbrücker Zeitung
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»Makes the coldness of the German growth dictate palpable even in the cozy cinema armchair. Social drama on a high level.«
Saarländischer Rundfunk
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»"Not. Now." shows an ice-cold Germany where only success counts. In her feature film debut, director Julia Keller shows a deeply lonely person, and she doesn't need any dialogue for that. A film that works through images.«
Spiegel Kultur
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»Julia Keller's debut aptly captures the glossy and meaningless world of the 'high performers' in supercool images. It is a celebration to follow Godehard Giese as a likeable puke in his painful fall and disorientated escape attempt.«
Stadtrevue Köln
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»Godehard Giese brilliantly plays an existence in a frozen state, on whose surface the first cracks appear.«
Süddeutsche Zeitung
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»"Not.Now." shows what is going wrong in our modern achievement-oriented society. The social drama worries and gives hope: in a crisis, the protagonist realises that it is not only work that counts in life.«
Utopia